![]() These chords, by themselves, are neither major nor minor: they were widely used in Renaissance and Baroque classical music to finish pieces, and they have had new life in rock. For example, the C power chord is the chord composed of C and G. They are the chords formed only by the tonic and the dominant, that is, without the third. I’m talking about power chords (also fifth chords). There are actually chords with only two sounds. The basic chord is composed of three sounds linked by precise interval relationships: we will thus have a triad chord. Several chords that follow one another create harmony, or more precisely a harmonic concatenation. Three or more sounds produced simultaneously create the chord. I could say, for example: “I would like to enjoy a sweet chocolate cake!” The same thing happens in music. ![]() But if I put this term in the context of a sentence, it will take on a whole different meaning. If I suddenly exclaim “sweet!” I could mean a lot of things. ![]() Every chord, like every note and like words, makes sense in relation to what comes before and after. The melody is the horizontal dimension of the music, the harmony the vertical one.īy harmony, in fact, we mean the art and the result of the simultaneous combination of different sounds. Melody pertains to the first instance while harmony is related to the second. On the musical level, sounds can be produced in sequence or simultaneously. On a philosophical level, it is curious to note that the Greek word harmonia does not designate a purely musical term: it means, in fact, “going well together”, highlighting the existence of a universal order of some sort. In order to fully understand the concept, we need to distinguish melody from harmony. Let’s start by explaining the meaning of “musical chords”.
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